Jill Wagner

Submitted by on Oct 28, 2015

Translation: Not required. cSubtitle: None Duration: 14 episodes of 26 minutes. 15 series of 43-minute 21c (21c 407 minutes) Year: 2009 Description: Kinomonolog legendary interpreter Liliana Lungin, through which we read in Russian plays of Strindberg and Ibsen, Boll stories, novels Viana and Adjara. But most of all Lungin known as the “Russian mother Carlson.”It was she who in March 1966 brought home to some of the old string bag book by Astrid Lindgren with a fat little man on the cover. The film is directed by Oleg Dorman, Semyon Lungin’s student and one of the most famous domestic operators Vadim Yusova filmed ten years, and his fate was obscure. CStory intellectuals of his childhood in France, Palestine and Germany, returning to the Soviet Union, a Russian emigrants”first wave”, a clash with emerging fascism, the tragedy of 1937, life and customs of the pre-war Moscow, the arrests of students, moving Impedance and the collapse of the Soviet empire . Film director Pavel Lungin: It seems to me that the film objectively interesting, because it’s an extraordinary human document. My grandfather worked in the”export-import”, therefore childhood mothers held in Berlin and Paris. Then return to Russia, 1930. An amazing school where it studied in the same class Samoilov, Nusinov, Chernyaev. Then – the legendary the institute. The war, evacuation, 1960, the first dissent, the first”thaw”, Nekrasov, Galich, Twardowski. And about all this is narrated live voice with humor. The film was shot so: it was three days of talk, for hours. My mother was friends with Oleg Dorman – he learned from my father. I myself could not remove it. A loved one can not see things as he saw Oleg, – from the inside, but a little bit from the side. It’s like a confession – not in the sense of repentance, but in the sense of a long detailed story about life. Many of the stories, such as the evacuation of surprised me – I did not hear them ever. 1960-was already at me, I was at first a boy, then a teenager, and it happened in front of me. Friendship with Viktor Nekrasov, for example. He and I were very close. “Interlinear”- a revolutionary project. He is absolutely antiglamur, antiskandalen. It’s about the essential, about the human. Mom was an extraordinarily open: we are constantly coming my school friends, stayed overnight. She could bring home some people that, for example, met on the train. She had a focus on the human, to the spiritual. And a full non-inclusion in the material world – it’s all there in the film. “I consider myself a French thing, smart girl. I do not say, smart, smart – I’ve heard it so many times that thought may really smart? But Shem once gave me an example of a lesson:”You can not think about it, it does not concern you at all. It concerns the other – you are smart or stupid. And every man of any worth careful attention. ” Sima inclined people as colors tend to those who love flowers, knowing that the most pitiful wild flower has its own charm …”Liliana Lungin x544 (1.32:1) 25 fps XviD build 50 1830 kbps avg 0.19 bit/pixel Video: 720×544 (1.32: 1) 25 fps XviD build 50 1830 kbps avg 0.19 bit / pixel kHz MPEG Layer 3 2 ch 320.00 kbps avg Audio: 48 kHz MPEG Layer 3 February ch 320.00 kbps avg Show screenshots GB] FREE DOWNLOAD [6.3 GB]
Jill WagnerJill Wagner
Jill WagnerJill Wagner
Jill WagnerJill Wagner

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